Sunday, July 30, 2006

All things must surely have to end

Blogathon is over! I blogged for 24 hours... unfortunately, not the consecutive 24 hours it was intended to be, but I still feel great about having raised $74 for STAND Against Domestic Violence! (You can still sponsor me up for up to 48 hours - please see the sidebar. If you can't donate at this time, please keep STAND in mind in the future, they are a great organization!)

I could not have pulled this off alone, and would like to thank the following people, who are all sponsors or contributors or linked to me.

My anonymous sponsor

Canadian Hellkitty of Mew.nu

Claire of Planet Claire

Izzy of Davey On a Stick

Jessica

John of Audihertz

Katie of Katscratchfever.com

Matt of Grumpy Old Matt

Megan of The Color Purple

Rebecca of Miss 604

The Wanted Man of Are You Up to the Test?

Now, I'm going to go take a nap, and not use my computer for days.

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Like a virgin

My friend LS is quite the world traveler, and always bringing me neat things. On a trip to Italy, she brought me back this neat thing of olive oil that's shaped like the leaning tower of Pisa. I still have this (empty) bottle sitting in one of my windows today. Another olive oil she brought me on a different trip was from the Australian Viva brand.


Viva Extra Virgin Olive Oil


Some might think this is an odd present, as surely there's no shortage of olive oil in America. But I think this bottle of Viva that also sits in my window was a great choice:

1. The girl looks like me
2. It's extra virgin olive oil... get it?

Yeah, TMI, but I still think it's great. It was damn good oil, too.

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Cuts like a knife

Only two more posts after this! Though I got a few hours of off-and-on sleep last night, I am exhausted and will be glad to be done with my computer. Remember, there is still time left to sponsor me and pledge a donation to STAND Against Domestic Violence.

You know what sucks? Paper cuts. Teeny, tiny, shallow little cuts - and they hurt way worse than slicing your finger open with a knife! (Being the clumsy type, I know way too much about both of these things.)

But why do they hurt worse? According to the thirty seconds of web research I did on the subject, it's because the cut is so shallow and doesn't bleed, so your body doesn't make a blood clot that would protect it and keep air from getting in. And air is, like, painful or something?

Some scientific explanation like that. See the Wikipedia page to learn more.

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Hi-Pass "Alone"

Hi-Pass is a group of musicians based out of Brazil who create songs in both English and Spanish. The track "Alone" can be downloaded from the Hi-Pass website.

it's so hard to believe
that things are gonna really change
and nobody can see
i hope to still find a friend

so i try to resist
but i feel like i wanna die
you keep fighting to breathe
bringing me back to life

you fight to hold on
you try to carry on, alone
go back to your home
leave me on my own, alone

it's so hard to believe
that things are gonna really change
and nobody can see
i hope to still find a friend

so i try to resist
but i feel like i wanna die
you keep fighting to breathe
bringing me back to life

you fight to hold on
you try to carry on, alone
go back to your home
leave me on my own, alone

you fight to hold on
you try to carry on, alone
go back to your home
leave me on my own, alone

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The loose translation must have lost her

I have been a Stephen King fan since I was 12 years old and first read "Pet Sematary." A lot of people accuse King of churning out insignificant trash to the uneducated masses, but to these people I say... well, it's too vulgar to print here, but I believe these people are wrong.

Stephen King has written so many great short stories and novels, and unfortunately so many of them get adapted into the most disappointing movies. We could sit here all day laughing over the worst ones ("Maximum Overdrive", anyone?) but I've limited myself to ten for now.


"Carrie"
Novel: King's first novel is nothing short of brilliant. Besides telling the story as it happens, we get flashes from news articles and books that hint at the tragedy that ultimately occurs.
Movie: Brian DePalma has made some weird-ass movies ("Body Double", and the one where Michael Caine dresses as a chick for some reason), but "Carrie" is great. Sissy Spacek is perfect as the pathetic Carrie, and Piper Laurie is perfect as the psycho-religious mom. This movie deserves extra points, as it retains a lot of the sad feeling that the book gives you.
TV Movie (2002): Dumb, dumb, dumb. Though I sorta applaud their attempt at making the story modern and multiethnic, it just didn't work. You're just never going to convince me that a girl growing up in the 90's won't find out what a menstrual period is. And the ending, where Sue helps Carrie get away is a pointless attempt at a feel-good movie.
Other: "The Rage: Carrie 2" This dud brings back the original Sue as a guidance counselor to a school where one of Carrie's somehow-related relatives is going through many of the same "ostracized by her peers" stuff, and finds out that she has the power of telekinesis. The suicide of her best friend (Mena Suvari) sets Carrie off, which I can dig, but this movie still sucked. Killing people with CD's? That ain't right.

"Children of the Corn"
Short story: Simple, to the point, and hella scary. A bunch of kids in the town of Gatlin get all religious-like over the corn, kill the adults, and sacrifice themselves to their god ("He who walks behind the rows") when they turn 19. Gatlin becomes a kind of twilight zone where anyone who gets caught there becomes a victim of the kids. Ugh.
Movie: It's been so long since I've seen this that I might be wrong, but I think it stars Bruce Willis and Laura Hamilton as the bickering couple who get wrapped up in the kids' deadly business. Unlike in the story, there are two "good" children in the movie who try to help them out. I don't remember if the ending is the same (bickering couple gets sacrificed), but I doubt it. Eh.
Other: "Children of the Corn 2 - The Final Sacrifice." I think it was called the Final Sacrifice, which is pretty silly considering that they made more COTC movies after this. I liked this one when I saw it, because I thought the guy who played the leader Mordecai (Ryan Bollman) was hot. I was (and still am) pissed about the end, where the kids end up not being able kill the slutty blond girl. WTF?
Other: "Children of the Corn 3 - Urban Harvest." Two brothers who were in the Gatlin cult get adopted by a wealthy couple, who moves them to the city. Result: Brothers brainwash inner-city gang members into getting into the whole "Kill adults for the good of the corn!" thing. Huh? I didn't like this one, just because of all the roaches. Gross.

"It"
Novel: This novel was really long, and fairly different from the movie. It included other crimes related to Pennywise the clown, most memorably the killing of a gay man by some homophobic jerks. Throught the entire book, it got across very well what the movie only managed in a couple parts: That ignoring the problems in your hometown can be a tragic thing.
Movie: Tim Curry is the scariest clown ever! Though a couple parts turned out more humorous than was probably intended, this is still pretty creepy. Seeing the characters dealing with "It" as children and then as adults, is fascinating.

"The Langoliers"
Novella: It's been a long time since I've read this, but the story of several passengers who find themselves alone on a plane that was formerly full of people, was wonderful and imaginative. Finding out what's behind the mystery (them falling asleep as the plane travels through the aurora borealis) while the characters do is fun and scary.
TV movie: First of all, did they really think we'd believe Bronson Pinchot (sp?) (Balki on "Perfect Strangers") as the psycho business executive obsessed with his dad? Anyway, this movie made a cool story into something completely silly. Also, the blind girl was annoying (I'm so mean) and her fear over "That horrible cereal noise!" was laughable. Cool cameo by Stephen King, though.

"Misery"
Novel: Author Paul Sheldon is in a serious auto accident and is "rescued" by former nurse Annie Wilkes, who is also his number one fan. She's a fan of what he thinks of as his frivolous books about a woman named Misery Chastain. Isolated in her home because of a snowstorm, Paul is grateful for her help - at first. Then Annie reads the latest Misery Chastain novel in which Misery dies, and is not pleased. Using torture and the threat of death - and even the murders of investigators looking into his disappearance - Annie convinces Paul to write a book that brings Misery back to life. Scary and too believeable. I don't want a number one fan, ever.
Movie: James Caan as Paul Sheldon is cool, but Kathy Bates as Annie Wilkes is nothing less than inspired. She doesn't overdo Annie's mental problems to the point where it's silly. It's terrifying the whole time. I cannot watch this film just because of the hobbling sequence.

"Pet Sematary"
Novel: A hidden cemetery that can bring animals - and people - back to life? This could have been done horribly, but instead it was brilliant. Also, very sad. The entire Creed family is laid to waste, in one way or another, by the evil of the place.
Movie: While it doesn't have the same aura of quiet but powerful horror that the novel does, this one is still creepy. Most everyone gets freaked out by wife Rachel's remembering the painful death of her sister, Zelda, due to spinal meningitis. Dead cat brought back? Pretty scary. Dead kid brought back? Eek!
Other: "Pet Sematary 2" This was so bad that, if I remember correctly, Stephen King didn't want his name connected to it at all. A veterinarian (played by Anthony Edwards) moves to Ludlow, Maine, with his son Jeff (Edward Furlong) after the on-location death of his wife, movie star Renee Hallow. During this movie, we find out that Ellie Creed (spared daughter in the original PS) hacked her grandparents to death and ate their brains, and that the evil part of the pet cemetery is even more well-known now. And it gets used again, including on already-evil cop Clyde (Clancy Brown), who is for some reason hilarious now that he's undead. Yeah, this one was silly.

"The Shawshank Redemption"
Novella ("Rita Hayworth and the Shawshank Redemption"): What's a novella, anyway? Longer than a short story, shorter than a novel, I suppose. This story, told from the POV of a con called "Red", is about a banker, Andy Dufresne, convicted of killing his wife and her lover. Like many men in "the Shank," Andy says he's innocent of the crime - but in this case, he's actually telling the truth. His survival in and escape from prison is thoughtful and gives the reader a real sense of hope.
Movie: Morgan Freeman and Tim Robbins were the perfect choices as Red and Andy Dufresne, respectively. The movie stays very true to the novella, including the inspiring hope.

"The Shining"
Novel: This book holds something of a special place in my family, as it's the only book that I, my mother, and grandmother have read. And it scared the crap out of all of us. As if the deceptively simple sense of isolation wasn't creepy enough, when King brings in the moving hedge animals and bathtub corpse, you've got serious nightmares on your hands.
Movie: I love Stanley Kubrick, but this movie was such a disappointment to those of us who've read the book. While I have to give him props on the elevator full of blood (that was so neat!), it was a poor substitute for the rickety one in the book. And the maze instead of the hedge animals? Come on, man! Jack Nicholson as Jack Torrance, though, was great.
Other: "The Shining" Miniseries This time, Steven Weber steps in as the alcoholic writer hired to be the winter caretaker of The Overlook Hotel. Though this version does bring us the hedge animals, this still wasn't scary.

"The Stand"
Novel: This novel is really long. Like, over 1,000 pages. It's the story of a superflu created by the government that gets loose and goes on to spread to the entire world, leaving only about 1% or 2% of the population alive. In the USA, people gravitate to one of two places: to Boulder, Colorado, or further west (to Las Vegas, I think?). In Boulder, an elderly woman named Abigail Freemantle is the unofficial leader; in Vegas (or wherever), a menacing man (who is not really a man) named Randall Flagg runs the show. While "The Stand" is mostly about the fight between good and evil, some of its most powerful passages are about the tragedy of not only lives, but our way of life, being lost.
TV Miniseries: If you tried to make a movie that was as detailed as the book, it would be so long that no one would want to watch it. (Now that I think about it, it would have been good as a full one-season TV series; but anyway.) The miniseries was, if I remember right, done in two three-hour sessions. It does well in showing the fight between the Boulder Free Zone and Randall Flagg's camp in the West, but it loses a lot in the unrelated moments that make the book resonate with the reader so strongly.

"Stand By Me"
Novella ("The Body"): Twelve-year-old Gordie (Gordon) LaChance is living in the shadow of his older brother, who was killed in a car accident. His absent-minded parents send him on what they think is a sleepover, when he and his friends are really going to search for the body of a missing boy. Along the way, they have adventures with trains and leeches and Gordie's slightly demented stories. Great story about friendship - having it, keeping it, and losing it.
Movie: I saw the movie long before I read the novella, and many people are still surprised to know that Stephen King is behind it because it's not a "horror thing." It is a good adaptation and has lots of great actors (River Phoenix, John Cusack, Kiefer Sutherland, Wil Wheaton, and more), but I can't watch it. Why? The pie-eating contest. Not gonna happen. I'm not down with vomit, ever. (But if you ever catch this movie on network TV, watch the very beginning of that scene to see what they call the boy "Lardass" - I saw it recently, and the station hilariously changed it to where the audience was chanting "Lard lard!" in a bizarre cadence.)

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Book of the dead

A book doesn't have to be about the supernatural to be scary, as you'll see from my list. If you need a good chill, check out one of these books. If you know of a book that I might like - horror or otherwise - do comment!

Scariest Books

Amityville Horror (Jay Anson) This story of a Long Island family terrorized by malevolent spirits in their home was eventually revealed as a hoax, but Jay Anson's recounting of the "hauntings" is still downright creepy. The idea of rooms filled with flies, evil pigs, and moving statues only sounds ridiculous until you start reading. Especially haunting are the troubles incurred by a priest who tries to help the Lutz family.

The Exorcist (William Peter Blatty) If you thought the movie was scary, reading the book will probably kill you. Blatty's characters are simple and true, from the down-to-earth actress Chris McNeil, to troubled priest Damien Karras, and his straightforward writing style produces moments (such as a blasphemously vandalized statue, or Regan's head turning around) that are much more shocking than they are when seen onscreen.

Flowers in the Attic (VC Andrews) There's nothing supernatural in this story, but VC Andrew's novel about four children being kept in an attic is still chilling. The evil of the psychotically religious grandmother seems like nothing when compared to the evil of the mother, Corinne, who plots to keep the children in the attic to their deaths so they won't mess up her chance at her sizeable inheritance.

The Haunting of Hill House (Shirley Jackson) Shirley Jackson creates a simple but fascinating story about a group of adults - a professor, two young women, and a young man who will one day inherit Hill House - who stay at the shunned mansion to study any supernatural phenomena that might occur. The backstory of family troubles that lead to its being a bad place is no less interesting than the unexplainable noises and the enchanting, dangerous atmosphere felt by its temporary inhabitants.

Helter Skelter (Vincent Bugliosi and Curt Gentry) In the 1960's, Charles Manson started what most people would now call a cult - the "Family", a group of impressionable and often disturbed young people (mostly women) who saw him as their leader. Under his orders, some of them would even commit murders, the most famous being of young, pregnant actress Sharon Tate. Co-written by Curt Gentry and prosecutor Vincent Bugliosi, "Helter Skelter" goes into the history of the cult and its members, the crimes, the trial, and the shocking ending - Charles Manson receives the death penalty, only to have this overturned shortly afterwards, when the state of California (temporarily) abolish the use of capital punishment.

Over the Edge (Jonathan Kellerman) One of Kellerman's earliest novels in the series about psychologist Alex Delaware. This time, Alex is contacted by a former patient Jamey Cadmus, a child genius who has now deteriorated into severe mental illness. Jamey may be involved in a series of brutal killings - in fact, may even be the serial murderer dubbed "The Lavender Slasher", for the shreds of a lavender dress used in each killing. The true story, and people, behind the killings and responsible for Jamey's sickness, are nothing less than evil.

Pet Sematary (Stephen King) Easily one of King's scariest, and most sad. Doctor Louis Creed accepts a position at a Maine university campus, and moves his family into a nearby house in Ludlow. When his daughter's cat, Church, is killed, Louis' neighbor Jud takes him to the pet cemetery, where children bury their dead pets. But they go to a different, less accessible part of the cemetery to bury the cat - who comes back the next day, changed but alive. The novel is all subdued horror until the Creed's infant son is killed, and the story revs up into an unstoppable, screaming ride that takes you into the very depths of hell on earth.

Red Dragon (Thomas Harris) The first of Harris novels that include the brilliant, and criminally insane, psychologist Hannibal Lecter. Former FBI agent Will Grahams, once injured - almost fatally - by Lecter while investigating a case, gets called back to work by Jack Crawford, who wants Graham's help in catching "The Tooth Fairy," a killer who has massacred two suburban families. In trying to understand the Tooth Fairy, Graham knows he has to consult Lecter, who has a unique insight into the mind of a murderer. While assisting on the case, Lecter does his best to torment Graham and even put him and his family in danger. While the investigation goes on, Harris lets us in on the tormented Tooth Fairy - a painfully shy and awkward man named Francis Dolarhyde, whose horrific childhood has made him into what he is.

The Shining (Stephen King) Jack Torrance, once a well-liked professor, let his alcoholism take control of his life to the point where he almost ended it. Now in recovery, he gets a winter job as the caretaker of the Overlook, a luxurious Colorado hotel. Because they have no other support, his wife Wendy and their son Danny must accompany him. As the fall winds down into a winter that will literally trap them in the Overlook, Jack looks into the hotel's history only to find tragedies such as murders and suicides. In fact, his predecessor had killed his family and himself on a similar winter assignment. Though there's no alcohol on the premises, Jack unmistakably begins to show the dangerous symptoms of drinking. His addictive need - along with his son's remarkable psychic powers - turn the Overlook into a place where the past and present are one, and deadly.

Waverly Place (Susan Brownmiller) A fictionalized account of the 1987 Joel Steinberg/Hedda Nussbaum case, about a professional couple whose growing drug problem leads to child abuse and the death of their illegally adopted daughter. Even less forgiveable than lawyer "Barry Kantor's" is "Judith Winograd", who allows her low self-esteem and blind love of Barry, to cause the death of her young daughter.

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Watch a horror movie, right there on my TV

This is the first of three "scary" lists I had set to post very late last night - the scariest part of the night, as far as I'm concerned. The list following this one will be my "Ten Scariest Books", and at 11:00 AM will be a comparison of Stephen King's books/stories vs. the movies they're made into.

Scariest Movies

American Psycho This film, with its subtlety and dark humor, is even more horrifying than the Bret Easton Ellis novel from which it was adapted. Young, rich and handsome Patrick Bateman (played dead-on by Christian Bale) is our dubious protaganist who copes with the empty materialism of the 1980s by torturing women and killing prostitues, the homeless, and in one case, a colleague whose business card Bateman is jealous of. Even worse, his actions are unnoticed or ignored - and as is suggested near the end, possibly not even real.

Candyman Kind of like the Bloody Mary "mirror" legend, but with an urban twist. Our mirror-entity this time is a slave who was tortured and killed, and comes to the Cabrini Green Housing Projects in Chicago to murder those who dare speak his name three times in the mirror. Virginia Madsen portrays a graduate student researching the legend, and gets in over her head - and accused of abducting the infant of a young mother who lives in Cabrini Green.

The Exorcist Regan (Linda Blair), the young daughter of actress Chris McNeil (Ellen Burstyn), starts exhibiting alarming behavior, including unusual physical contortions, a nasty attitude, and religious blasphemy. When medical tests rule out a physical problem, she seeks the help of disillusioned priest Damien Karras (Jason Miller). There to oversee the exorcism - the casting out of the demon in Regan's body - is Father Lankester Merrin (Max von Sydow). As good works to overcome evil, Father Merrin helps Father Karras (and probably a good deal of the disillusioned Catholic audience, including me) find his faith again.

Halloween On Halloween, seven-year-old Michael Myers dresses as a clown for the holiday - and stabs his older sister to death. We fast-forward to several years in the future, where Dr. Loomis (Donald Pleasence) fights to keep the catatonic Michael in the most secure facilities possible. His good deed doesn't go unpunished, as Michael escapes and heads back to his hometown in Haddonfield, Illinois. Dr. Loomis anticipates this and goes himself to warn law enforcement. Meanwhile, studious high school student Laurie (Jamie Lee Curtis) plans a dull night of babysitting while her friends get together with their own boyfriends. Laurie wouldn't mind this so much except for the unknown man who's stalking her. Much killing of semi-naked teenagers ensues, and Laurie has to outsmart the stalker - Michael Myers - who's now after her and the children she's babysitting.

A Nightmare on Elm Street High school student Nancy (Heather Langenkamp) has things pretty good, except for some disturbing nightmares she and her friends have been having. They all star the same man named Freddy Krueger, whose face is burned and who has sharp knives for fingers. The nightmares actually physically harm Nancy, and began to injure and kill her friends in the most disgusting ways. Her boyfriend Glen (Johnny Depp) is mysteriously sucked into his bed and promptly spewed as pure blood onto his ceiling. Just staying awake won't do; Nancy has to fight Krueger once and for all.

Poltergeist The Freeling family moves into a new suburban subdivision built by the father Steve's (Craig T. Nelson) company. Everything is fine at first, but all matters of weird things begin to happen - toys come to life, furniture moves on its own, and finally youngest child Carol Anne (Heather O'Rourke) becomes "lost" in the house, only to be heard through the television. The Freeling family seeks the help of paranormal experts, one of them being Tangina (Zelda Rubinstein), who explains that troublesome spirits known as poltergeists were attracted to Carol Anne's energy and want her to be with them. In the terrifying fight to reclaim their daughter, the Freelings find out that their house was built over a "moved" cemetery - except only the headstones were moved, and not the bodies.

Seven Two homicide detectives, the young Mills (Brad Pitt) and the jaded Somerset (Morgan Freeman), work on a case where the killer targets victims whom he feels are perpetrators of the seven deadly sins. The first victim, for instance, is a grossly obese man who is forced to eat himself to death. As the crimes become progressively gruesome, the detectives track a suspect known as Jonathan Doe (Kevin Spacey). He gets away, only to later turn himself in. It's a part of his master plan as he counts on the volatile nature of Detective Mills to help him complete his twisted tableau.

The Silence of the Lambs Clarice Starling (Jodie Foster) is a student at Quantico, where FBI agents are trained and schooled. Her supervisor sends her on what he thinks will be a useless errand: take a "survey" of Hannibal "The Cannibal" Lecter (Anthony Hopkins), a cultured psychologist who was found criminally insane and jailed for killing several people, including former patients. Lecter doesn't care a bit for the survey, but Starling piques his interest, and he hints that he can help the FBI find a serial killer referred to as "Buffalo Bill", who abducts, kills, and skins young women. Matters get complicated when Buffalo Bill kidnaps Catherine Martin (Brooke Smith), the daughter of a junior senator. Starling works furiously to deciper Lecter's clues that will lead her to Buffalo Bill before Catherine Martin is killed.

Single White Female When sophisticated New Yorker Allie (Bridget Fonda) finds out her live-in boyfriend Sam (Steven Weber) is cheating on her, she immediately kicks him to the curb and searches for a new roommate. She thinks she finds her match in Heddy (Jennifer Jason Leigh), a shy, somewhat awkward young woman. They get along well at first, and even adopt a puppy together, but Heddy starts intruding on Allie's life. She borrows Allie's clothes, Allie's haircut, and even Allie's name. Allie thinks she's got an out when she makes up with Sam, but Heddy isn't ready to leave the apartment - or her new identity - that easily.

Stir of Echoes Blue-collar utility worker Tom's (Kevin Bacon) life is complicated enough, with a dead-end, crap-paying job while he'd rather be playing guitar, one child, and another on the way with his wife Maggie (Kathryn Erbe). His sister-in-law Lisa (Ileana Douglas) makes it worse when she hypnotizes him at a party and "opens his mind" to such a degree that he's seeing and hearing a ghostly young girl in his home, and having psychic intuitions. His son Jake also sees and talks to the young girl, who has been missing from the neighborhood for quite awhile. In trying to discover the truth of what happened, Tom has the dangerous task of investigating some of his closest friends and neighbors for their part in the tragedy.

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Save the Hope Line

I realize this may be somewhat of a conflict of interest, as I'm blogging for the benefit of STAND Against Domestic Violence, but this crossed my path while reading PostSecret today. Having had experience with depression in the past, I strongly believe in supporting suicide prevention services. The information below is from the "Save 1-800-SUICIDE" website.


Help Save 1.800.SUICIDE


1-800-SUICIDE is in danger of being shut off or worse falling into the hands of the Federal Government. With teenage suicide being the 3rd leading cause of death between 18 to 24 year olds - our government should not be duplicating prevention efforts but helping fund the many local organizations and non-profits with proven track records on prevention. In addition our government should not be in the business having access to this private and sensitive information!

Despite the fact that almost 2 million callers have reached help and hope over the last 8 years, and a government funded evaluation stating the benefits of 1-800-SUICIDE, the Substance Abuse & Mental Health Service Administration (SAMHSA), a division of Health & Human Services, has decided to create their own government run system where they would have direct access to confidential data on individuals in crisis.

To protect the callers to suicide crisis hotlines the management of 1-800-SUICIDE has refused to turn over the control of the National Hopeline Network to the SAMHSA. As a result it is in danger of being completely shut off to the almost 2,000 individuals in crisis who reach out daily because our government has not only ended all funding but also continues to owe $266,000 in overdue bills to the Hopeline from 2 years ago. (This is not new funds – but money that was already allocated!).

WE NEED YOUR HELP!

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Wanted dead or alive

Say hello to guest blogger, The Wanted Man. He's the author of the hilarious blog Are You Up to the Test? and also contributes to Six Line Reviews. Below is a kind of preview to the amusing things he blogs about.

The other day I was at an engagement party and the couple had received various raunchy gifts. One was a book called 'Tickle his pickle', oh how we laughed. The bride-to-be wasn't that chuffed that there wasn't a female equivalent. None of us could think of what it could be entitled, until I came up with 'Slam her clam'. It didn't go down that well but I suppose that's what a day of drinking and a pickle book will do to you.

Can anyone think of a more suitable title?

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We've living in a material world and I am a material girl

You know what I love? Infomercials. So, I thought I'd give a shout out to some of my favorites.

The Jack LaLanne Power Juicer I'm all for pulverizing fruits and veggies, and turning them into yum smoothies. I actually have the juicer, and it's a lot of fun - though somewhat a pain in the ass to clean, especially that stubborn little strainer. It is very easy to take apart and put together, though. Fair warning: When you drop fruit down the chute (why does that sound so dirty?), if you don't cover the opening with your hand or the pushy dealy, the fruit might fly out and hit you in the face. I would like to say this has not happened to me, but... (Other warning: the juicer site has audio that startled the hell out of me, so be careful yourself.)

The Magic Bullet My parents also bought me the Magic Bullet, which I'm ashamed to say I haven't used it yet. But they have, and I must say it makes a good milkshake. God, I loved this infomercial so bad: they made muffin batter, smoothies, and alfredo sauce. Mmm...

Lauren Hutton Makeup I don't have any of this makeup, but I like to watch the infomercial and see the ladies there get made over. Plus, I love things that come in pallettes.

Nutrisystem for Men I've just started seeing these annoying commercials about Nutrisystem for men. First of all: How is it any different than from what the women get? I mean, are they really making separate entrees for the sexes? These commercials pimp NS4M as being hearty but healthy, guaranteed to get you laid. Yeah, whatever. I just thought this was both silly and dumb; in other words, perfect for my infomercial rant. OH OH I almost forgot! On the page linked to above, they show feet on a scale... with red polish? So is this Nutrisystem for Metrosexual Men? Transgendered men? I'm sure I don't know the PC term, but that scale got an honest laugh out of me.

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Ripped "Daily Ritual"

For the record, I did not fall asleep after my 12:30 post last night. My ISP decide to completely fail on me, after a night full of problems. I tried adjusting my computer settings and equipment for hella days, and even called the company - the problem was on their end was not resolved for super hours. As in, my checks at 2:30 and 3:30 and 4:00 and 5:15 (in between restless sleep) were totally pointless. But when I woke up again at 7 this morning, my Internet access was back - and so am I.

I don't know whether this will affect any sponsorships/pledges, but I don't think so. I've sent an e-mail to Blogathon asking for their blessings on that, but either way, you'll get everything you were supposed to get last night (hehe, dirty!)

Anyway: Here's the song lyrics you would have gotten at 1 AM, from the cool band Ripped.


wake up mr. carroll now, it's much later than you think
too far gone, you don't know how
you survived to take the fall
and you just put out the hall

you sit all day, and waste away
thinking everything's okay
you contemplate, degenerate, but it's not too late
when you wonder why you get nowhere
sometimes really i think you're not all there
it's a daily ritual affair

you lie awake now in your bed
too many thoughts are your in your head
something good, you're not dead yet
all your friends you won't forget
something good, you're not dead

you sit all day, and waste away
thinking everything's okay
you contemplate, degenerate, but it's not too late
when you wonder why you get nowhere
sometimes really i think you're not all there
it's a daily ritual affair

it's a daily ritual

you sit all day, and waste away
thinking everything's okay
you contemplate, degenerate, you just masturbate
when you wonder why you get nowhere
sometimes really i think you're not all there
it's a daily ritual affair

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I hope that someone gets my message in a bottle

I don't really know when I started writing. When I was six or seven, I used to draw these comics about a bratty boy (based on my brother) named "Bup." (Yeah, I don't know where I got that from either - but my parents did say that when my brother was born, I got mad at them because they wouldn't name him "Lope.") I digress - awhile back, I did find a story I started to write at 8 or 9 years old. It was about a group of friends who got into all sorts of wacky adventures, and back then I was into the idea of a series - "The Babysitter's Club" books being a big inspiration for that concept.

Whether I wrote them down or not, and I usually didn't, I was always making up stories in my head (lots of them got acted out by my Barbies - the poor girls never saw it coming). And I believed that everyone did this. Now I know a little bit better; not many people are lucky enough to get struck (in my case, literally dumb) with such ideas.

My biggest regret regarding writing is that I had so many stories that I threw away. I'd write - well, sometimes part of a story, but usually just an outline - set it aside for months, go back and find it, and be so horrified by the crappiness of it, that I'd crumble it up and toss it. I'm not saying I ever lost a literary masterpiece by doing this, but I think it's important for anyone, in any field, to be able to look back at the progress they've made.

And I think I've made a lot of progress. This is thanks to so many people, including the teachers who encouraged me, my family and friends who still support me, and, most recently, the writer's club I've joined. At a meeting a couple weeks ago, someone said something about the importance of writers sharing their work as they're writing: "You can't write in a vacuum." Though it would be impossible, and maybe even wrong, to incorporate everyone's ideas and "fixes" into your work, other people can often give you a perspective that would never have occured to you. And they'll recognize for the things that are done well, and praise from others is necessary for any artist's ego.

And if nothing else, reading your material out loud is a great way to find mistakes. Things that looked good on paper might sound funny when you say them. Spellcheck and grammar check can't find everything; MS Word might not notice when you say "and" when you meant "hand." Or you might be using a word over and over again and not realize it (personally, I always use too many "nows" and "finallys.") until you're saying it out loud, over and over again.

So... my point is... um, good question. It's something like, "I love writing, because I get to run my mouth." Yeah, that sounds about right. But I couldn't be a writer without readers, so thank you.

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Saturday, July 29, 2006

"Accomplices" part 4

The final part of the story. Personal update: I'm really starting to get worn down now. It's not just staying up late; it's the aggravation of publishing problems on my end. If my page ever disappears, rest assured I'm doing what I can to get it back, even while I bash my own brain in.

Anthony, still on the floor, groaned in pain as Valerie pounced on him, knocking Alex to the side. He knew he was done for; the gun was out of his hands, probably in Alex’s. No, there it went thumping and sliding on the floor. There was one bullet left, and Anthony reached over with his left hand, searching frantically. It wasn’t easy to do, Valerie still lying halfway on top of him as she reached for it herself, and got it.

*

Alex’s face was red-hot with rage. She was in on it! She knew the kid’s name! Alex regretted that the shot in the barn door had missed her.

Valerie had the gun in her hands and was rolling over onto her back, sitting up. Alex lunged over, grabbing her wrists.

“Don’t!” She tried pulling away and he yanked harder, throwing his body on top of hers. She banged her head hard on the barn door, but continued to fight, trying to push him away using her legs. “Get off of me, Alex.”

“Give me the gun!”

“No!” But he could see how hard it was for her to hold onto while she was still cuffed. He let her wrists free and pulled instead at her fingers.

That was a mistake. She had a finger on the trigger, to hold onto the gun better.

“Get off of her!” Anthony was behind Alex now, trying to pull away from Valerie.

*

Valerie was crying as she fought to hold the gun. She didn’t want to give Alex the gun but she didn’t want her fingers broken, either. Anthony had pulled Alex up so he was sitting instead of lying on top of her.

Valerie squeezed the trigger. Both Alex and Anthony fell to the floor face down. She stared up at the ceiling for several moments before taking the gun and pointing it there, squeezing the trigger again. Nothing happened. Was it empty? She didn’t know anything about guns. They made her sick.

“Alex?” She said tentatively. “Anthony?” She sat up.

Both men were still down, but Anthony slowly turned his face up to her.

“Did I get you?” He said nothing. “Did I?”

“No.”

She got to her knees and crawled to Alex. There was no need to turn him over and look at his chest. The blood had soaked through the back of his shirt. “Oh god.” Valerie cried, holding her hands, and the gun, to her face. “Oh God, what have I done?”

“It’s not your fault. You didn’t mean to shoot him.” Even in her grief Valerie heard what Anthony left unspoken: You meant to shoot me.

“Doesn’t matter if I meant to.” She dropped the gun to wipe her eyes. “I did.” She saw him looking at the gun. “I think it’s empty.”

“Yeah, I know.” He stood up and got the gun, going over to the old man’s body.

Valerie carefully rolled Alex over onto his back, to close his eyes for him. He had wanted to do the right thing. Not like me, she thought. It hadn’t mattered to her what would happen to the old man; she had only been thinking about herself.

She looked over at Anthony. He was wiping the gun off on the old man’s shirt, and positioned it carefully in the man’s left hand. “What are you doing?” Valerie asked, though she realized with a sinking feeling that she already knew.

“He’s… having a bad day. He shoots Alex, and then himself.”

“Bad day?” She tried to laugh and it got stuck in her throat. “I know a thing or two about that.”

*

Anthony helped Valerie to her feet, and took the cuffs off of her. She was staring at Alex’s body and he gently turned her face away, towards the exit. “Let’s go. How’s your head?”

“Okay.” She let him lead her back out to the van. “How’s your eye?”

“Fine.” It hurt like hell; it was almost swollen shut.

The ride back was quiet. Valerie stared out the window the whole time. Anthony wouldn’t have stopped her, even if he had anything to threaten her with.

Back in the store parking lot, there were still only three cars parked there: Hensby’s, Alex’s and Valerie’s. Anthony thought it was unlikely anyone had come by in between. They would have found the store unlocked and the bullet hole in the wall. He pulled into a spot and stopped the van.

“I’m going inside,” he said. “You should go home, right away.”

“My purse is still in there.” She was staring at her hands.

“You want me to get it for you?”

“No.” She unbuckled her seatbelt and opened the door. “I’ll go.”

*

It was silent inside the store. Going straight for the back, Valerie knew she’d have to find a bathroom and wash her face. Even that probably wouldn’t be enough to keep her mother from knowing something was wrong as soon as she got home. Her purse was on the shelf and she picked it up slowly, slinging it over her shoulder. She was about to leave when she remembered her knife. It was dusty from being on the floor and she wiped it off on her jeans before going back into the main room.

Anthony was at the register, opening a large, dark bottle of champagne. “You want something to drink?” He asked, then stopped as he looked up and saw the knife in her hand, the blade still extended.

“Is there a bathroom?”

He pointed to a nondescript door to the right of the entrance. “Through there.”

“Thanks.” Valerie went through the door, slamming it behind her. The little hall had shelves full of cleaning supplies on one side, and the door to the bathroom on the other. She had been to the store before, but never back here.

She locked the bathroom door behind her, smiling as she remembered her last visit. It had been less than a year ago, on a warm Saturday in March. She’d come with her mother; it would be six months before Valerie would move in with her, and they could still stand to spend time together. Valerie remembered the old man behind the counter, joking with the other women in the store as they stocked up on preserves and sugar cookies.

She splashed ice-cold water on her face, staring at herself in the mirror for a moment before turning away from her hateful reflection. Not only had she not helped the old man, but her actions had cost another innocent man his life as well. She’d only come to the store to get out of the house, to be alone. Now she’d be alone, all right, with one more secret, another reason to stay away from other people.

Valerie blotted her face dry with paper towels and picked up her knife from where she’d set it on the counter. Closing it, she slipped it into her right pocket and went back out into the store.

Anthony lingered at the counter. “Can I still get that drink?” She asked.

“Yes.” He had set out two plastic cups and poured some champagne into each.

“Thanks.”

“Sure.”

Valerie didn’t take a cup, but picked up the bottle itself and drank. Some dribbled onto her chin and she wiped it carelessly away with her sleeve. That would probably stain. Who cared?

She set the bottle down with a hard plunk. Anthony was staring at her and obviously trying not to laugh. “Don’t get pulled over,” he said.

“Yeah, really.”

He pushed one cup towards her and picked up the other. “Toast.”

She smiled. It was that or cry. “To what?”

“How about being alive?”

Valerie nodded and they silently clinked their plastic cups. She titled her head back, drinking deeply, her free hand caressing the knife in her pocket.

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"Accomplices" part 3

Sorry, folks, but I think we're stuck with those stupid symbols - because I'm way too spaced to go through and change the quotation marks into the same ones used in Blogger posting. My bad.

Elvin Hensby lay pathetically on the barn floor, breathing hard and looking around desperately for a way out. The boy was obviously a psychopath. He would no doubt kill the innocent man and woman as soon he was done with Elvin himself.

The boy came over and yanked him into a sitting position. The gun was sticking out of the waistband of his jeans. If only Elvin had his hands free, or even cuffed in front of him as the boy had permitted the woman to do. He’d been disoriented from getting punched about the face, but had caught at least that much on the ride over.

The boy got on his knees, looking into Elvin’s eyes. “Do you know who I am?”

Elvin slowly shook his head from side-to-side. Why would he? Elvin’s children were at least ten years older than the boy, who looked Italian or maybe Hispanic anyway.

“You should.” The boy’s eyes were fixed on him. “Your father is my grandfather. I’m not sure what that makes us, though.”

Elvin shook his head again, more vehemently this time. He’d been an only child. It was a private source of shame to the family that his father had had a low sperm count; even if he had cheated, another pregnancy was unlikely.

“Yes,” the boy said, as if Elvin had agreed with him. “And a blood test could have proved it. But when I brought that up to you, just a few months ago, you weren’t very interested. Were you?”

Elvin closed his eyes, remembering. There’d been a late night phone call from a young man, ranting something about old farms and dead animals and the rape of a young girl. He wanted money, but he said even that wouldn’t have been enough to “make things right.” Elvin, certain it was a prank or a drunk, had hung up on him and not had any second thoughts until now. Yes, Elvin’s dad had been a tough businessman, but what the boy was talking about was crazy. The boy himself was crazy. Elvin’s heart skipped a beat at the thought of his own children, who all had careers and houses and were just starting their own families. What if the boy went after them as well?

The boy stood up, smiling triumphantly. “Sure, you know what I’m talking about. And I gave you a chance.” He took the gun out of his waistband, jamming the barrel against Elvin’s temple. “All I want is what was taken from my family. This will have to be close enough.”

“Uhh!” Elvin moaned through the cloth wrapped tightly across his mouth.

“Let him go!” The young man chained to the door was screaming.

The boy didn’t appear to have heard him. His eyes were glazed over, as if hypnotized. Finally he spoke, his voice soft. “Do you have anything to say, Elvin?”
Elvin nodded eagerly. Damn his pride, with the gag off he would offer anything to have his life spared.

“That’s too bad.” The boy grabbed his hair, holding his head very still.
The last sound Elvin heard was the click of the gun’s safety being turned off.

*

Alex cried, ashamed but unable to stop himself. The tears were part fear, part anger, part relief. Fear was obvious; anger and relief, not so much. Much of the anger was at himself: Why hadn’t he been able to save the old man? Why hadn’t he just gone to work? And relief: He was still alive. So far.

Still sniveling, Alex looked to his left. Some of the old man’s blood and brains had splattered all the way over to the barn wall, just a few feet away from where he was cuffed. Any closer and it would have been on him. Alex leaned over, gagging.

The kid stood still next to the slumped body, his mouth hanging open in an idiotic expression. “Oh my God,” he said, holding his hand to his cheek.

“Yeah. Aren’t you proud of yourself?” Alex tried to wipe his tears off on his sleeves, and couldn’t. “Let me out of here.”

“In a minute.” The kid was smiling, walking all around the body before leaning down to undo the gag and the handcuffs.

“Now!” Alex was afraid he might be getting hysterical.

“Shut up!” The boy glared over at him. “Let me think!”

“You should’ve thought about it before you killed him, asshole!”

“Fuck you, all right?” Shoving the gag and handcuffs in his pockets, the kid sat down, holding his head in his hands.

*

Valerie was sitting out on the bench when she heard the gunshot. She did not jump as she had earlier in the store, but felt her entire body tense as she waited for more. There was plenty of shouting she couldn’t understand, but no more shots. One shot meant one dead body, but whose was it?

She felt nauseous. There would be another shot at any time, for Alex, and then one for her.

*

Anthony felt exhausted and strangely unsatisfied. Elvin Hensby was dead, and it would look like a suicide. That was good. But there was never going to be anything he could do to take away all the bad things that had happened.

Enough. It was done – almost. He had to get Alex back into the van, and Valerie if she wasn’t there already. Only then could he come back and put the gun in Elvin’s hand. But that presented a problem. How was he going to control Alex when they got back to the store? And how was he going to keep either of them from talking?
It was doubtful that anyone had heard the gunshot out here in the middle of nowhere, but it was better not to risk hanging around. He got to his feet slowly, holding the gun.

*

Alex saw the kid coming towards him and felt his whole body get cold. He was going to fight him. It was possible there weren’t any bullets left in the gun – would he have loaded all six chambers when he was only going to kill one person? There was one shot at the store, and one for the old man. Alex knew he’d have to get the gun, loaded or not. The kid could have more bullets on him, and if not, Alex could injure him with it just by hitting him hard enough on the head.

“Okay.” The kid had the gun in one hand, the handcuff key in the other. “Pull away a little bit.”

The kid was sweating heavily and Alex wrinkled his nose at the smell of perspiration. But he might be smelling himself; his own sweat had soaked through his shirt both on his back and underneath his arms.

Alex pulled away from the door handles. He felt very calm. He steeled himself to wait until the cuffs were off. There went the right… and then the left. He hesitated for exactly one second before reaching over to grab the gun.

“What’re you doing?” The kid held tight to it, trying to yank it back into control. “Let go, you fuck!”

In the struggle, the gun went off and the bullet flew across the barn, lodging in the wall.

Alex laughed wildly. Still loaded, he thought. But there were three bullets left, at most. If he couldn’t get the gun in his own hands, maybe he should try to get the rest of them spent. Hopefully Valerie had enough to sense to stay away, wherever she was.

*

At the sound of the second shot, Valerie stood and marched over to the barn. She couldn’t just sit there; either the gun or the anticipation would kill her, and she didn’t think the anticipation would be any less painful than the other.

Another shot exploded just as she reached the door, and she did jump this time. Closing her eyes for a moment and swallowing, she opened the door. Alex and Anthony were on the far side of the barn, on the other side of the old man. The old man’s body; he was dead. There was a bloodstain on the wall and she felt her knees tremble.

The guys were rolling on the ground, fighting over the gun. “Hey,” she said weakly, but neither of them heard her and she tried again. “Hey, stop it!”

“Valerie?” Alex had just toppled Anthony over onto his back and was sitting atop his chest. “Get out of here!”

The gun, between their confused tangle of hands, went off again. Valerie heard it go right past her left ear and into the barn door behind her. She fell to the floor, her ears ringing. She was speechless as the men continued to scream at each other.

“You motherfucker!”

“Give me that!”

“Valerie, get out!”

They continued to argue as they struggled over the gun. Valerie got on her hands and knees and crawled, making a slow and steady arc to where they were, moving carefully past the old man’s body. There was a red, gaping hole in his temple and she put her hand to her mouth, disgusted.

She didn’t know whether she should jump into the fight while crouching or standing, if at all. Alex’s nose was bloodied and one of Anthony’s eyes was swollen. These big men and they were fighting over that little gun that was more powerful than all of them.

Valerie took a deep breath. She knew it was a good chance it was her last. “Alex!” She screamed. “Stop it! Anthony!” Rising to her feet, she jumped into the space between their bodies.

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"Accomplices" part 2

I'm sorry about the weird symbols that sometimes substitute for punctuation marks; I know it makes the story harder to read. I'm trying to make the text look "normal", but we'll have to see how it goes.

Alex was miserable in the back of the van. He not only heard but felt each bump in the road, every pothole, every damn pebble for that matter. And the old man was creeping him out. His eyes were big and bright and pleading. Alex closed his own eyes, immediately regretting it. He was afraid that when they stopped and got out he might be sick.

The ride was long and nearly silent after the first few minutes. The kid had apologized to Valerie, but what for? Alex hadn’t heard him hit her. He’d like to whack this kid a good one, anyway. At least Valerie sounded all right, not hysterical or weepy. If Maryann, Alex’s wife, got involved in a scene like this she would be crying and carrying on. Alex felt even sicker as he thought of Maryann. It had been a long time since they’d been happy, truly happy, but the idea of never seeing her again was devastating.

The van stopped, and Alex braced himself for another letdown. This time the engine was turned off and he relaxed, opening his eyes. The driver and passenger doors opened, and were slammed shut again. It seemed like a very long time before the van’s back doors were opened. Alex twisted around and sat up, still avoiding the old man’s eyes. The kid motioned for Alex to slide out and he did, stretching as much as he could and blinking against the sunlight. His stomach had settled.

“Turn around.” Alex turned. “I’m going to uncuff you so you can get him out of the back of the van. Once again…” He poked the gun at the back of Alex’s neck before removing the cuffs.

Alex rubbed at his sore wrists before reaching for the old man. Valerie was still cuffed, and looking down at the ground. She should be looking around the property to identify it later, Alex thought. Well, she was just scared. The old man wriggled around and Alex pulled hard to get him out of the van and standing on his own two feet.

“Good.” The kid was staring at the old man, almost smiling. Alex shuddered. The kid snapped out of his daze and shut the van’s doors. “Stand with your back against the van. I’m going to cuff you and Valerie here. I’ll be gone just a few minutes, and when I’m done we can go back to the store.”

“What if someone drives by and sees us?”

“They won’t. We’re way off the main road here. Get back against the van.” He had the gun pointed at Alex with one hand, and was carelessly swinging the cuffs in the other.

No way was Alex going to let the kid take the old man off and do god knows what with him. “But…”

“Shut up.”

It was Valerie. Alex and the kid both gaped at her. She shrugged and glanced up at Alex. “Just do what he says.”

“And let him kill this guy?” The old man trembled visibly.

Valerie shrugged again, looking away.

The kid yanked Alex away from the van, and made him walk in front again, the gun on the back of his neck. “Fine, we’ll do it your way.”

They made their way to the barn slowly, motley crew that they were. The old man, shuffling and with tears dripping down his face; Valerie, pretty and sulking; the psycho kid with the gun; and Alex, scared and angry and looking all around to remember this place. Lots of tall trees, a grand-looking house with an old, dingy barn to the side. Where was the goddamn house number or street name? Alex wondered. Finally, a clue: “Hensby” on an iron sign outside the barn. He didn’t know if it was a family name or street name, but it would do.

“You two wait here,” the kid said, meaning Valerie and the old man, as they entered the barn. It wasn’t large; it was about the size of Alex’s two-car garage back home. It was empty except for a few bales of hay and some tools. The kid pushed Alex all the way to the opposite end, where there was a large pair of doors with iron handles. One cuff went around a handle; the other went around Alex’s wrist. “There you go.”

The kid stalked back over to Valerie and the old man. Dragging him by an ear, he led the old man out into the middle of the barn and shoved him to his knees. “Don’t move.”

He went back to the front door, back to Valerie. They spoke quietly for a few moments, both of them leaning in almost intimately. Alex watched them, his eyes narrowing. He hadn’t thought of it before, but maybe they were in on it together. Her being a hostage was an act to throw him off, because he’d come into the store at the wrong time.

If it was true, Alex wasn’t going to let either of them get away with this.

*

“I’m sorry.” The gunman was staring into Valerie’s eyes. “About having to drag you into this, I mean.”

“Right.” She stared back at him. “You should have just left us out there. I don’t want to see what you’re doing to do.” She looked over at the old man, who was lying on his stomach and groaning loudly. “I don’t want to know anything about it.”

“I know you don’t. You can go back to the van and wait. But I’ll hold on to the keys.” He paused. “You don’t know how to hot-wire a car, do you?”

Valerie bit her lip. She wanted to laugh, but the situation was hardly appropriate. “No, not with handcuffs on anyway.”

He smirked and quickly covered his mouth with his hand. “Wait out in the van, or in the yard if you want. There’s a bench in front of the house where you can sit down.”

“Okay.” Valerie looked over at Alex, who was thrashing uselessly against the door. She hoped he wouldn’t try anything stupid. “One question? Can I at least know your name?”

“Anthony.” He went to touch her arm, and pulled away. “Go on, get out of here.”

She nodded and left the barn, walking out into the yard. The air was softer than it had been earlier, not as piercing. She blinked back tears as she went to look for the bench Anthony had mentioned. Should she try to run? She hadn’t spent any time out here and they had made so many turns on the last five or six country roads to get here. The last building Valerie had seen was at least a mile back. She had the feeling that whatever Anthony was going to do with the old man wouldn’t take long enough for her to get safely away.

That was a good question, what he was going to do, and why. She certainly wasn’t going to ask him. Never mind that; what was he going to do to her? She’d been deluding herself thinking he would just let her go.

Valerie reached unconsciously for her knife before remembering it was back at the store. She should have worn it, hidden it somewhere on her body as she usually did. She’d been carrying the knife with her since August, after she’d been raped. She’d gone to the county fair by herself and was attacked by a man she met at the square-dancing booth. She told no one about it but had started to carry the knife for protection. Somehow she always knew there would be a day when she’d have to use it.

*

Anthony’s heart was thumping unevenly as he turned back towards Hensby. He tuned out Alex, who was thrashing against the doors. Anthony couldn’t afford to get distracted by anyone else when he had Elvin Hensby in front of him, bound and gagged and ready to die.

Once upon a time, in Knightsen, there had been two prominent farming families: Hensby, and Torino. What the rest of the community had first seen as a mild, good-natured rivalry soon turned deadly. The Torino’s cows and pigs were found one morning not just killed but mutilated, and then a fire consumed their home. Anthony Torino Sr., the head of the family, was injured so badly that he was in the hospital when the final attack occurred. His daughter-in-law, Maria, was raped by Marcus Hensby, twenty-something head of the Hensby family. Maria was still a teenager and just a few years older than Marcus’ own son, Elvin.

Anthony Jr., Maria’s husband, could have dealt with the rape, but not the pregnancy that resulted from it. They were good Catholics and abortion was out of the question. Suicide was another crime against God, but Anthony Jr. took his own life anyway, sitting out behind the old house, still gutted and in ruins.

Maria was sent out to live with distant relatives in Montana while she had the baby. They returned several months later, Maria leaving the baby, a girl named Christina, with Anthony Sr. before running out and never coming back. He raised Christina himself until shortly after her tenth birthday, when he suffered a massive stroke and died en route to the hospital. He outlived his rival by only a few weeks; Marcus Hensby was killed in a car crash on a trip to Los Angeles.

Christina Torino went into the foster care system and lived in nearly three-dozen different houses before running away to live on her own. She was bitter with the knowledge of the Hensby-Torino saga, which her grandfather had repeated to her almost daily in the last year before his death. He’d never stopped wanting revenge, but Christina knew there was nothing she could do about it.

She turned seventeen and took her GED test, passing with flying colors. She celebrated by giving up her virginity to John Giacomelli, who went to the local high school. Christina thought Grandfather would’ve liked John; he was handsome and nice, with impossibly blue-green eyes, and from a large Italian family. Not so nice; when Christina informed him of her pregnancy a month later, he simply ignored her and left for college in the fall.

Christina gave birth to and raised Anthony Torino III all on her own. She worked at McDonald’s during the day, came home to give him dinner and help him with his homework, and then left for her other job as a stripper after putting him to bed. It made her feel very tired and old, and when he was a teenager she found herself repeating Grandfather’s story about the Hensby family and what they’d done.

Sometimes, on days when Anthony didn’t want to go to school and she could get off of work, she’d drive him past the Hensby’s mansion, and by the overgrown field that used to be the Torino’s farm. Anthony was young but smart and understood that when he was old enough he would have to find a way to make the Hensby’s pay them back.

He was a good student and got a full scholarship to college. His mom was proud, he knew, but also relieved that her duties as a mother were over. Before he left for school in the fall she did things she’d never done before: she dressed up, got makeovers, and went out with men. He’d wanted to do something about Hensby that summer but she discouraged him, not wanting him to spoil his chance at an education.

By the time Anthony graduated his mother had moved into a posh townhouse with her boyfriend George, a dentist at the office where she worked as a receptionist. He didn’t care for George much but what Anthony truly resented was that his mom wanted him to forget all about Hensby.

“Living well is the best revenge,” she’d say, touching her soft hand to his cheek and then changing the subject. He knew what she meant, and he believed she deserved all the nice things George was giving her, but he didn’t want the suffering his family had gone through to be for nothing. When he got in touch with Elvin Hensby about making reparations and the man balked, Anthony decided to take care of it himself.

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"Accomplices" part 1

Below is a short story I wrote while taking a Creative Writing class last semester. My teacher called it "a nice little murder story." It's a longish short story at 7,000 words, and so it will be in 4 parts, the conclusion being at midnight. If you have any comments, I strongly encourage you to... uh, comment on them. Yeah. Enjoy!

Alex was ditching work and was driving around Brentwood when he came to Grant Street. His grandparents used to live on one of the cross streets, and he followed the road all the way to the end trying to find the house. He went the wrong way, towards what used to be empty fields. Now there was a new subdivision that was only halfway built. Plastic sheets flapped in the cool wind against the bare frames. Maybe they’d finish them this summer.

A colorful sign with old-fashioned lettering pointed him towards a country store and he pulled into the parking lot, gravel crunching under the tires of his Honda. There were two other cars parked there, a Lexus and another Civic. It was older than his, dark blue. A buzzer on the shop door chirped loudly as he stepped inside, grateful for the warmth.

An old man stood behind the counter, plump and white-haired and with a ruddy complexion. He nodded at Alex. “Hullo.”

“Hey,” Alex mumbled. All the things he could’ve done while skipping out on the office and he’d ended up here? He went down the aisle – there was only one, short and squat – looking at the brightly packaged nuts and snacks and soup mixes.

There was another, even smaller room in the back. A sign outside the door said “Clearance” and Alex hesitated before going in. A young woman turned towards him, looking away from a display of gift baskets. Not that young; thirty, maybe, with dark hair and an okay figure beneath her jeans and blouse and heavy black sweater. He automatically smiled and nodded at her. She didn’t smile back but nodded back and then turned away. He was too old for her, he guessed, and married anyway. His shoulders sagged. A few more years and he’d be forty.

The front door buzzed again. Alex looked at some chocolates shaped and decorated like Christmas trees. He wished the owner would put some music on the intercom system. It was so damn quiet in here he could hear himself breathing.

A gunshot cracked the silence and Alex jumped, crashing into the shelves. The woman had done the same on her side of the room, her dark eyes wide and staring at him. Alex craned his neck but couldn’t see what was going on in the front. His stomach rumbled lightly with nervousness. He didn’t want to go out there. He put his finger to his lips and the woman nodded slowly. She was holding her purse tightly to her chest.

Alex tiptoed into the main room. Where the hell was everyone? There was no blood anywhere, but there was a bullet hole in the wall behind the register. He stepped around the counter and was about to go into the Employees Only room behind it when the door opened.

It was a college-age kid with the gun, tall, black hair, his eyes a murky blue-green. He didn’t look surprised to see Alex standing right there. Alex froze as the kid pointed at him with the gun. “Who else is here?” The kid asked.

“No one.” Alex stood up straighter, glad he at least sounded firm and brave. “Where’s the old guy?”

“There are three cars out front. Who does the other one belong to?” His eyes flickered toward the back room and Alex resisted the urge to look over his shoulder, hoping she’d run out when he wasn’t looking. No, the buzzer would have gone off.

“How should I know?”

“Come on.” The kid took one of Alex’s hands in a strangely gentle manner, and then roughly twisted his arm behind his back. The gun was poking him right between his shoulder blades.

“Ugh,” Alex mumbled, plodding along to the back room. He hated the feel of that gun on him. Maybe he could work out a deal with the kid to let the woman go.

*
Valerie had ideas of her own.

She was still standing with her back against the shelves, but now she had a switchblade in her right hand, sharp and ready for action. Just because the gun had gone off when the tall guy was in the room with her didn’t mean he wasn’t in on it. He had practically swaggered into the room, with a wide grin and his chest puffed up. He scared her a little bit, even if he looked a lot like her favorite news anchor on channel four, the cute redhead.

There was a seemingly long silence between the gunshot and the voices from the other room and she cursed herself for not having tried to run out. But she wasn’t a graceful movie heroine; she probably would have slipped and fallen. She didn’t want to do anything that might make her more vulnerable than she already was.

One man had left the room, and two came back in: the tall guy and a younger one, the gunman presumably. He was holding something against the tall guy’s back. His eyes went right to her knife. Great, an observant gunman, she thought. “Put it down on the floor.”

Valerie hesitated. The knife was her only advantage unless she got the unlikely chance to go for the eyes or the balls. It could still be a trick, the two of them, and she couldn’t go hand-to-hand with two guys at once.

The gunman was impatient. He jabbed at the tall guy’s head. “Put the knife down. Kick it into that corner.” He nodded to the other end of the little room. The tall guy said nothing but swallowed audibly.

Valerie let the knife drop the floor and kicked it away. She could feel tears of frustration welling in her eyes, but clenched her fingernails into her palms, determined not to cry.

Satisfied, the gunman motioned for her to follow the two of them into the front of the store. She did, crossing her arms over her chest and trying to look tough. They went into the back room behind the counter and the store owner, manager, whoever he was, was propped up against the wall, his hands bound behind him. He was gagged and his eyes, one of them bruised, bugged out at them.

The gunman nodded to Valerie. “Help him up. We’re going to the parking lot.”

She was supposed to help the big fat man? But she could see his strategy in that. He didn’t want to risk fighting the tall guy. Valerie, the woman, was not considered a threat. That’s what you think, she fumed to herself, struggling to bring the old guy to his feet and almost falling down herself.

Out in the parking lot they went to a dusty, beat-up, black van. The gunman kept his vigil on the tall guy while opening up the back of the van, one door at a time. “Get him in there, lying down.” He was addressing the tall guy, though looking at Valerie. “Try anything and I shoot her.” His gun moved to point at her chest and she took a deep breath, turning her face away from him.

With the old guy safely stowed, the gunman took a pair of handcuffs out of one pocket and held them out to Valerie. “Take these – slowly – and put them on him. Hands behind his back.”

Valerie took the cuffs, her hands shaking. The tall guy stood awkwardly as she cuffed him, his head down, shoulders slumped. His hands were cold but sweaty.

“I won’t have to gag you, will I?” The gunman asked him.

“No.”

“Then get in and lay down.” He looked at Valerie. “Now you.”

She looked into his eyes. Hell, she’d seen his face anyway. “I’m not going to do anything. Don’t cuff me.”

“Listen.” His eyes sparkled. “You’re doing great. Just keep doing what I say and you’ll be fine.”

“I can’t sit back there with them. Let me sit in front with you.”

He smiled coldly. “So you can reach over and grab the wheel?”

“And kill us all? I’m not stupid.” Her face was hot and she could feel the tears in her eyes again. She blinked hard. “I just want this to be over. Just don’t make me… please.”

*

Anthony studied her carefully. Of all the girls to be around while taking down Hensby, he had to get the ballsy type. This one wasn’t scared of him. She was pissed. That was dangerous. Cornered, she might fight. He didn’t want to hurt her. Better to let her bend the rules, just a little bit.

“You can sit in front,” he said, proud of himself for being magnanimous. “But I’ll still have to cuff you.”

“Hands in front of me. Not behind.”

What was this chick, he thought, a professional hostage negotiator? “And let people in other cars see?”

“I’ll put my sweater over the cuffs.”

It sounded like she had thought about this more than he had. “Fine. Sweater off, and hands out. Now.” She flinched at his tone but did it, looking away from him. Anthony kept the gun on her, cuffed one hand at a time, and walked with her to the front of the van, opening the passenger door for her. He reached up to keep her from bumping her head on the van, but she jerked away from his touch. Reaching up with both hands, she pulled her seatbelt down and buckled it, then arranged her sweater on her lap. It looked okay.

He got in and started the van. “Okay back there?” He asked loudly, looking over his shoulders at Hensby and the big guy.

“Yes,” the big guy said, sounding like he was pouting. Anthony shook his head at his stupid luck. One tough girl and one big guy, but at least they weren’t together. He knew he should’ve tried another day, with two extra cars in the parking lot, but instinct and desire had pushed him to go ahead. It was too bad, and too late. He would’ve liked to let the girl go, but there was no way to tell if she’d talk and how much she’d say.

He turned to look at her as he drove the van out onto the street. She was pretty, dark-featured, maybe a little too thin. “What’s your name?” He asked.

Slight hesitation. “Valerie.” She was looking out the window.

“Look at me, Valerie.” She did. “You need to look at me the whole time we’re driving, all right? No mouthing words to other cars.”

Something that was almost a smile flickered across her lips. “I don’t even know what I’d say.”

“Don’t say anything.” Out of the corner of his eyes he saw her turn her head to look in the back of the van.

“Are you really okay, back there?” She sounded truly concerned.

“I’m fine.”

“What’s your name?”

“Alex.”

“Okay. Sir? Sir, are you okay?”

Hensby grunted weakly and Anthony grinned. The old man hadn’t been interested in talking before; now, it was too late.

Valerie turned to him. “I suppose it’s too much to expect that you’d tell me your name.”

“Just say, ‘Hey, you.’” They came to a red light and Valerie started to turn to look at the car on their right. “Don’t do that.” Anthony squeezed her shoulder, hard, and she whipped her head back towards him. He felt bad immediately; her dark eyes were bright with tears. He let go of her, watching the red marks his fingers left on her shoulders fade back to white.

“Sorry.” The light turned green and they were on their way again.

She was good. She didn’t cry, but cleared her throat and waited a few minutes before speaking. “Where are we going?”

“Knightsen.” It wasn’t a bad ride, only fifteen minutes on the back roads. He’d go that way even if he didn’t have three hostages in the car; it was nice and woodsy. He would have loved to have been able to live out there, on the old family farm… He shifted in his seat. Fifteen minutes was longer than it sounded like. “Do you want me to turn on the radio?”

Valerie’s eyes were hard and emotionless. “Why?”

Anthony said nothing and turned back to the road. He knew how it felt to have a gun pointed at you. His college roommate in junior year, Brandon, had been a low-level drug dealer. A week before Thanksgiving, three of Brandon’s associates had burst into their apartment in the middle of the night to retrieve money owed to them. Two of them had ransacked the bedrooms and living room; the other had made Anthony and Brandon kneel on the kitchen floor, hands behind their heads, and waved a shotgun back and forth between their faces.

They found and kept the small stash of money Anthony had been saving up for his mom’s Christmas present, but he’d been angrier at Brandon than he had been at his business partners. They were only collecting what was owed to them, and they hadn’t hurt anyone. With Hensby, Anthony hadn’t been able to do the first, so unfortunately he’d have to do the second.

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Brittlestar "Gasoline"

Brittlestar is a band I really need to learn more about, because I'm in love with this song, "Gasoline." I can't remember exactly where I downloaded it from; either Amazon or Pitchfork Media, but either way it was quite some time ago. Also note: I couldn't find these lyrics online, so I had to transcribe them so they may not be 100% correct. They're damn close, though.

the spark inside your eye
is turning into fire
this drink that you sink
turns into gasoline
it hurts to watch you burn
cause you won't keep me warm
and every kiss i missed
turns into gasoline

we've said this all before
you want less and i want more
this magic which is lit
and thrown on the gasoline

you are such a beautiful liar
a staredown with a smile
with reflections to the end
raise a toast with gasoline

we've said this all before
you want less and i want more
this magic which is lit
and thrown on the gasoline

i want more, let me burn on the fire
and you're the gasoline
i want more, let me burn on the fire
but you're the gasoline

the spark inside your eye
is turning into fire
each drink that you sink
turns into gasoline

it hurts to watch you burn
cause you won't keep me warm
another kiss i missed
turned into gasoline

i want more, let me burn on the fire
and you're the gasoline
i want more, let me burn on the fire
but you're the gasoline
i want more, let me burn on the fire
cause you're the gasoline
i want more, let me burn on the fire
but you're the gasoline

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Lay your hands on me

OK, it's official: my little keychain camera sucks. I just painted my nails, and had wanted to take a picture to show you all. In the worse of the pix, though, you see only darkness; and in the best, my fingers looked like the menacing monsters of some b-horror film.

Why was I painting my nails, anyway? These last couple of weeks, I've felt somewhat out of sorts as far as my looks go. I know I'm cute, but haven't felt it. This could be due to any number of reasons, but I figured I just needed a "push" to get me back on the right track. In this case, I thought a good push would be doing my nails in a power color.

It took some time figuring out what that color was. My favorite, and best, color is pink, but my nails were pink already (I have a shocking number of different pink polishes) and clearly doing nothing. I thought of something more outrageous, like blue or green or black, but I'm on the job hunt and have to stay somewhat conservative. So the natural answer seemed to be red.

Red's a crazy color that has a lot more impact than many people realize. I read once that red cars get pulled over more than any other cars because they just seem to be going faster, or are at least more eye-catching. Bright red lipstick, or any makeup, is a bold statement - and maybe that's what I need to be stating right now. I may be having random breakouts, and it may be hot and gross outside, but I can't let temporary things like that make me feel down.

So, I vow that every time I look at my bright red nails, I will remember that no matter what I look like (or feel what I look like) right at that moment, I am, in general:

- Cute
- Smart
- Independent
- Creative
- Assertive

Also: The name of the shade I'm wearing is called "Lush Cherry." Wow, sexiest makeup name ever!

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Hello dolly

Recently, I was flipping past QVC or the like when I saw Marie Osmond pimping her doll collection. I thought, "This ought to be a laugh." Well, the joke was on me, as this was anything but funny - they were terrifying!

The dolls had heads that turned around to show a different facial expression. Ew! Now while I shouldn't be surprised that Marie Osmond, of all people, would be in some way responsible for dolls that have Linda Blair action, but it's just not right. Any kid who comes into contact with these things will be scarred for life, as am I.

I didn't have enough time to look around the site for those specific dolls (OK, I admit it, I was just too scared), but I did grab this picture for you of two dolls from her "Girls Will Be Girls and Boys Will Be Boys" collection. Try to tell me these things are not demonic!


Marie Osmond Dolls

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It's not TV...

...it's HBO, my favorite and oft-blogged about cable channel. I think there's shows there that can appeal to almost everybody, and I've written descriptions below, in hoping to help you find your match. Even if you don't have cable, try Neflixing past seasons, or if you're in a buying mood, look at the HBO store or Amazon.com.

"Big Love" If anyone could pull off a show about polygamists living in Salt Lake City, then it's HBO. After all, no one likes polygamists - they degrade and seclude women, and keep children ignorant and sheltered. That might be true for the group at Juniper Creek in this show, but some of its members have escaped and are living in the modern world: Bill Henrickson (Bill Paxton); his original wife Barb (Jeanne Tripplehorn); his second wife Nicki Grant (Chloe Sevigny), who is also the daughter of Roman Grant, head of the whole "We're still polygamists" dealy; and Margene Heffman (Ginnifer Goodwin), a "normal" young woman who met Bill. Besides living in fear of discovery by anti-polygamists (represented mostly in this show by regular Mormons), Bill and his family have to deal with that blackmailing Roman Grant. As someone who is big on monogamous relationships and feminism, I was pretty sure I'd hate this family; but they're somehow very modern and sweet. If you're looking for big drama, look for "Big Love."

"Deadwood" I hate Westerns, and was pretty sure I would hate this show. However, I gave it a shot and was pleasantly surprised. This isn't John Wayne's world, where the worst sin is getting tipsy and the good guy always wins. This is Al Swearengen's (Ian McShane) world, where hookers and murder and racism abound. Sherriff Seth Bullock (Timothy Olyphant) tries to keep things in line, but his own temper sometimes gets him into trouble as well. While extremely vulgar (think of the worst word you can, and it's probably said in every episode of the show), it's also somehow hilarious. The first season brought us some of Wild Bill Hickock's life (and death), and continues in its third season to shed light on his friend Calamity Jane. While I don't know enough about history to know how accurate its portrayal of real-life people is, everything looks and feels authentic, especially the old-style English and way of speaking that's used. It's somewhat daunting at first, but once you catch onto the rhythm, it strikes you that this may be the best show ever.

"Entourage" This show sounds as if it would be nothing but shallow: movie star Vince Chase (Adrian Grenier) lives in Hollywood with his B-list brother Johnny "Drama" (Kevin Dillon), friend Turtle (Jerry Ferrara) and best friend/manager Eric "E" (Kevin Connolly). Though the four guys have no shortage of adventures with girls and drinking and parties, everything comes down to the strong bond between them. Especially great in this series is Vince's agent, Ari Gold (Jeremy Piven), who is loud and crass and hilarious.

"Epitafios" This series, filmed and based in Buenos Ares, Argentina, was originally shown in Latin America and then came to America via HBO Latino, and HBO's OnDemand services. Ex-cop Renzo Marquez (Julio Chavez) left the force five years ago after a hostage situation that ended in the death of four students. After his name shows up on a tombstone at a house that contains (most of) the dead body of Santiago Penalver, the teacher who killed the four students, his former chief calls Renzo for help. Along with Renzo's name on the tombstone was that of psychologist Laura Santini (Paola Krum), with whom he had a failed relationship with shortly after the hostage situation. Now they must work together to find a serial killer targeting those connected with the students deaths. The killer does give the police clues: epitaphs that describe who the next victim will be. This show is intense, creepy, and darkly enchanting. Though in Spanish, it has English subtitles, and the DVD of the first season (to be released on August 29 will also have a dubbed English soundtrack). I could not recommend this enough.

"Oz" Oz is the name on the street for the Oswald Maximum Security Penitentiary (later changed to the Oswald Correctional Facility) of some never-revealed East coast state. Unit manager Tim McManus (Terry Kinney) wants to create a revolutionary environment where prisoners can become truly rehabilitated, and with the dubious permission of Warden Leo Glynn (Ernie Hudson), creates "Emerald City." Though inmates here have a lot more privileges than they do in "GenPop", they also have a lot more rules (their typical welcome to Em City is: "No yelling, no fighting, no fucking.") Naturally, most everyone spends their time trying to find ways to break, or at least bend, the rules without getting caught. There's a very large cast here, all of them representing the different groups you'd expect in a prison: Hank Schillinger (JK Simmons), head of the Aryans in Oz; Kareem Said (Eamonn Walker), head of the Muslims; Ryan O'Reily (Dean Winters), the great Irish manipulator; and Toby Beecher (Lee Tergesen), a lawyer who's sent to Oz because he killed a young girl while driving drunk. It would take too long to describe even a small portion of the shocking, sad, and hilarious things that happen on this show, but if you're looking for something outrageous and startling, Oz is it.

"Six Feet Under" The Fisher family runs a funeral home in Los Angeles, and in the first episode, death hits way too close to home when father Nathaniel Sr. is killed in a car accident. Oldest son Nate Jr. (Peter Krause), whose been in Seattle, returns home for the funeral to find that his sensible brother David (Michael C. Hall) is pissed at him for having left in the first place, and younger sister Claire (Lauren Ambrose) may be something of a juvenile delinquent (when she learns of her father's death, she'd just done some crystal meth with friend